Scagl-io-la (skal-yo-la) n. Plaster work imitation of ornamental marble, consisting of gypsum and glue colored with pigments and polished to a high finish. [Italian, diminutive of scaglia, scale, chip, small piece of marble].

Some histories place the origin of scagliola in ancient times. Egypt, Greece, Rome and other civilizations make reference to polished plaster ornament. The inspiration for my work is more recent, dating to Monks in 15th century Italy. These were the first modern fabricators of what we now call scagliola.

As most renaissance techniques, it found its highest expression as decoration in church walls and altars. Florid patterns on rich black backgrounds, gentle arabesques and other baroque ornament were typical decorations.

At first, scagliola was a way of imitating "pietra dure" (the technique of inlaying real marble fragments into a slab of marble). The skill and unique artistry involved in making scagliola soon distinguished this craft as more than a mere imitation. It was recognized as an art form in its own right.

In 1997, after 10 years as a mural painter, I studied the technique in Italy under the tutelage of two Italian Maestri. Upon returning to the U.S., I began designing one of a kind pieces, using the same traditional techniques with my own designs.

The beauty of Scagliola comes in the selection of colors and pattern, design of the inlay, and the craftsmanship of the fabrication. Many hours are invested in the polishing and inlay process, all of which must be done by hand. The result is an object both rare and beautiful.